diff --git a/src/pregmod/FCTV/FCTV.js b/src/pregmod/FCTV/FCTV.js
index 5fdf17baca015bacd3fd40686d847a85b54c46f2..7433d13498b35385a3b7db1cc59268533c33b8ed 100644
--- a/src/pregmod/FCTV/FCTV.js
+++ b/src/pregmod/FCTV/FCTV.js
@@ -342,9 +342,9 @@ globalThis.FctvDisplay = function({usedRemote = 0, seeAll = 0, selectedChannel =
const episodeText = channel.episode[epToShow].text;
if (episodeText) {
if (typeof episodeText === 'function') {
- $(frag).append(episodeText(slave));
+ $(frag).wiki(episodeText(slave));
} else {
- $(frag).append(episodeText);
+ $(frag).wiki(episodeText);
}
}
if (channel.outro) {
diff --git a/src/pregmod/FCTV/FCTVshows.js b/src/pregmod/FCTV/FCTVshows.js
index 1922a44e77c1dad5cef7a4c87b8283973195dd38..ee9fcfead2ae5a6c875024ac782a0a0ac4dccbde 100644
--- a/src/pregmod/FCTV/FCTVshows.js
+++ b/src/pregmod/FCTV/FCTVshows.js
@@ -1044,7 +1044,7 @@ App.Data.FCTV.channels = {
loop: false,
get intro() {
const r = [];
- r.push(`which is currently showing an episode of the 'Modern Dairy' edutainment series, which opens with a montage of milk-related food and cooking shots. After the last of the opening credits disappears, the show sticks to a single shot from the montage, a delicious looking bowl of cereal. The camera zooms out to reveal the show's host wearing her trademark cow print leotard, and getting just a little too much enjoyment out of her cereal. She slowly puts the spoon down while savoring her cereal, reluctantly swallowing and starting the show. "Hi there y'all, welcome to another episode of Modern Dairy!" She gives the camera a wave — setting her gargantuan melons wobbling inside the spandex-like leotard — and the camera fades to black.</p>`);
+ r.push(`which is currently showing an episode of the 'Modern Dairy' edutainment series, which opens with a montage of milk-related food and cooking shots. After the last of the opening credits disappears, the show sticks to a single shot from the montage, a delicious looking bowl of cereal. The camera zooms out to reveal the show's host wearing her trademark cow print leotard, and getting just a little too much enjoyment out of her cereal. She slowly puts the spoon down while savoring her cereal, reluctantly swallowing and starting the show. "Hi there y'all, welcome to another episode of Modern Dairy!" She gives the camera a wave — setting her gargantuan melons wobbling inside the spandex-like leotard — and the camera fades to black.`);
return r.join(" ");
},
episode: [
@@ -1128,7 +1128,7 @@ App.Data.FCTV.channels = {
} else {
r.push(`Your practical experience means that this program is unlikely to tell you anything you don't already know, but you watch anyway to see how an average citizen views an arcology.`);
}
- r.push(`</p><p>A likely-artificial voice of an older man narrates while the program displays video to demonstrate the topic being narrated. The show looks crisp and professional, but you can tell it doesn't have the budget that the more sexually-charged shows do.</p>`);
+ r.push(`<p>A likely-artificial voice of an older man narrates while the program displays video to demonstrate the topic being narrated. The show looks crisp and professional, but you can tell it doesn't have the budget that the more sexually-charged shows do.</p>`);
return r.join(" ");
},
episode: [
@@ -1190,7 +1190,7 @@ App.Data.FCTV.channels = {
},
get text() {
const r = [];
- r.push(`surging Repopulation movement: "Continuing the Dream". After the opening credits, the documentary introduces a young and extremely pregnant woman as the commentator. The program makes an impassioned argument about the need for a new generation of citizens and slaves that were born into the dream of the Free Cities. The woman is wearing semi-conservative business attire, and has on elegant makeup. She looks somewhat plain when compared to the hyper-sexualized style of other FCTV shows, though she does make it plain over the course of the program that she loves sex more than ever. She tends to use herself as an example to show that pregnancy no longer means limitations or sacrifice, instead emphasizing that she's on her fifth pregnancy and would rather be with child than without.</p>`);
+ r.push(`surging Repopulation movement: "Continuing the Dream". After the opening credits, the documentary introduces a young and extremely pregnant woman as the commentator. The program makes an impassioned argument about the need for a new generation of citizens and slaves that were born into the dream of the Free Cities. The woman is wearing semi-conservative business attire, and has on elegant makeup. She looks somewhat plain when compared to the hyper-sexualized style of other FCTV shows, though she does make it plain over the course of the program that she loves sex more than ever. She tends to use herself as an example to show that pregnancy no longer means limitations or sacrifice, instead emphasizing that she's on her fifth pregnancy and would rather be with child than without.`);
r.push(`<p>The woman makes two main points during the course of the documentary. The first is that the combined population of the Free Cities needs to grow explosively for 'Free City Society' to become stable. She points out several economic reasons, including the drive to invest in research and infrastructure. She has interviews with experts explaining the need for independence; that the Free Cities are still dependent on the old world industrially and financially, and that the population must expand dramatically to avoid going down with the metaphorical ship. The more Free Cities there are, the more they become free and independent of the old world.</p>`);
r.push(`<p>The second point concerns the source of the new citizens and slaves that the Free Cities need. Her arguments concerning citizens focus on the unique culture of the Free Cities, and the direction that the future society will take. She points out that immigrants from the old world are rooted in its decaying culture. She asks her viewers how long it took them to adapt to their new lives, and how often they find themselves doubting their new home subconsciously. She admits that even she sometimes finds something wrong or repulsive, until she realizes that it's the ghost of her past life clinging to her. A noted psychologist talks about the strong hold people's earlier lives has on them, and how developing the promise of the Free Cities will need a generation untainted by the old world. The documentary's argument for slaves largely comes down to the fact that second-generation slaves are happier, better adjusted, and simply better slaves.</p>`);
if (policies.countEugenicsSMRs() > 0) {
@@ -1220,10 +1220,10 @@ App.Data.FCTV.channels = {
get text() {
const r = [];
if (V.arcologies[0].FSGenderFundamentalist === "unset") {
- r.push(`increasingly-popular Gender Radicalist movement titled: "Power, not Biology". After the opening credits, the documentary introduces an androgynous documentarian in a nicely-cut suit. The finely tailored suit doesn't try to hide the person's breasts, which seem to be a pretty average D-cup. Similarly, another bulge is visible stretching down one of the pants legs. The futanari opens with a pretty simple question: "Am I a man, or am I a woman?" The documentary is focused on answering that question in the context of a modern era where medical science means that genitalia are irrelevant. It argues that a person's body no longer has any relation to their sexuality or ambition, that being free means choosing the body that pleases you most, and that society needs new criteria from which to determine gender.</p>`);
+ r.push(`increasingly-popular Gender Radicalist movement titled: "Power, not Biology". After the opening credits, the documentary introduces an androgynous documentarian in a nicely-cut suit. The finely tailored suit doesn't try to hide the person's breasts, which seem to be a pretty average D-cup. Similarly, another bulge is visible stretching down one of the pants legs. The futanari opens with a pretty simple question: "Am I a man, or am I a woman?" The documentary is focused on answering that question in the context of a modern era where medical science means that genitalia are irrelevant. It argues that a person's body no longer has any relation to their sexuality or ambition, that being free means choosing the body that pleases you most, and that society needs new criteria from which to determine gender.`);
r.push(`<p>The criteria suggested by the documentary is power. The idea is simple; the powerful are male, the weak are female. It argues that the biology and sexual proclivities of a person simply can't represent them any longer. The powerful are often free to choose the body and activities they wish to pursue, while the weak have those decisions made for them. It's a practical argument, and the documentary gives a long list of evidence supporting it, from expert interviews to ancient civilizations that followed a similar idea. The concept is somewhat appealing to you; after all, you wield extraordinary power, and a large part of that power includes altering the bodies of others. Whatever you choose to do, you can't see any reason to let your slaves and citizens criticize you for it.</p>`);
} else if (V.arcologies[0].FSGenderRadicalist === "unset") {
- r.push(`conservative Gender Fundamentalism movement titled: "It's Eve, NOT Steve". After the outdated graphics finish displaying the garish opening credits, a portly man in late middle age introduces himself as Reverend Brad, the apparent commentator of the program. You don't pay much attention, but learn that apparently the Futanari Sisters are whore agents of Satan. You also learn that you're apparently destined for hell because of the medical technology in your penthouse that could be used to alter someone's naughty bits. You did get a good laugh when the reverend started yelling that choir boys are boys, and if he wanted a girl he would've found a nun.</p>`);
+ r.push(`conservative Gender Fundamentalism movement titled: "It's Eve, NOT Steve". After the outdated graphics finish displaying the garish opening credits, a portly man in late middle age introduces himself as Reverend Brad, the apparent commentator of the program. You don't pay much attention, but learn that apparently the Futanari Sisters are whore agents of Satan. You also learn that you're apparently destined for hell because of the medical technology in your penthouse that could be used to alter someone's naughty bits. You did get a good laugh when the reverend started yelling that choir boys are boys, and if he wanted a girl he would've found a nun.`);
r.push(`<p>You have to admit that most of the show is complete bullshit, but you can't deny that it's useful for controlling your citizens. As long as they're filling their heads with this bullshit, they won't be getting any dangerous ideas from somewhere else. In a more practical sense, it's a lot easier to manage an arcology and a house full of slaves when you don't have to worry about crazy gender issues or people disliking pregnant slaves.</p>`);
}
return r.join(" ");
@@ -1267,11 +1267,11 @@ App.Data.FCTV.channels = {
get text() {
const r = [];
if (V.arcologies[0].FSSlimnessEnthusiast === "unset") {
- r.push(`growing Asset Expansionist movement titled: "More of a Good Thing". After a brief set of opening credits the documentary dives immediately into short clips of numerous interviews with stacked women stating that they love having big tits and a big ass. Eventually, a man and woman are introduced as the hosts of the program. Both are finely dressed in the recent fashions, and despite the subject of the documentary, they don't have humongous assets. The woman does have huge breasts, wide hips, and a large derrière; the man has a noticeable bulge in his pants, but nothing extreme. The hosts explain that seeing Asset Expansionism as a call for ridiculous size is something of a misconception. They emphasize that it's about the freedom to enjoy more of a good thing.</p>`);
+ r.push(`growing Asset Expansionist movement titled: "More of a Good Thing". After a brief set of opening credits the documentary dives immediately into short clips of numerous interviews with stacked women stating that they love having big tits and a big ass. Eventually, a man and woman are introduced as the hosts of the program. Both are finely dressed in the recent fashions, and despite the subject of the documentary, they don't have humongous assets. The woman does have huge breasts, wide hips, and a large derrière; the man has a noticeable bulge in his pants, but nothing extreme. The hosts explain that seeing Asset Expansionism as a call for ridiculous size is something of a misconception. They emphasize that it's about the freedom to enjoy more of a good thing.`);
r.push(`<p>The documentary makes several arguments in favor of the movement, and is clear about explaining the natural biological attraction humans have to large assets. By interviewing stacked members of the movement and psychological experts alike, they try to demonstrate how larger assets lead to happier and more pleasurable lives, both in and out of the bedroom. The documentary neatly tops off its argument by demonstrating how assets have been expanding naturally since the start of the twentieth century, and claiming that it's silly to idolize the way humans looked before modern nutrition and medicine. Western countries in the old world already had average bust sizes of D-cup or larger by the turn of the century, the hosts claim that trying to go back to smaller sizes is synonymous with reducing the prosperity of free citizens.</p>`);
} else if (V.arcologies[0].FSAssetExpansionist === "unset") {
r.push(`Slimness Enthusiast counter movement titled: "Slim Is In". Artistic opening credits play across the screen before a slim woman walks up and begins talking to the camera conversationally. She seems to be in her mid to late thirties, and is wearing conservative makeup to accent her natural beauty. Her narrow waist combines with her slim hips and full shoulders to create a balanced but muted hourglass profile. It's a look that was popular for decades on fashion models in the old world, and it improves the attractiveness of her B- or C-cup breasts and taut butt. It's obvious that the woman aspires to be a role model in addition to being the documentary's commentator.</p>`);
- r.push(`<p>Much of the documentary's arguments center around the concept of fashion and the privileged. They point out how in the past societal changes have altered what people find attractive, giving skin tans as an example. When most worked outside and only the privileged stayed indoors pale skin was considered attractive. When the world changed and most people worked indoors, suddenly the tan skin of those with leisure time to spend outside came into vogue. She argues that modern hormones can easily expand the assets of the masses, but that only the privileged can afford to sculpt themselves into an ideal form like hers. She points out that even though the masses may imitate with surgery, they'll never be able to copy the naturally good bone structure and vibrancy of the well-bred elite.</p>`);
+ r.push(`<p>Much of the documentary's arguments center around the concept of fashion and the privileged. They point out how in the past societal changes have altered what people find attractive, giving skin tans as an example. When most worked outside and only the privileged stayed indoors pale skin was considered attractive. When the world changed and most people worked indoors, suddenly the tan skin of those with leisure time to spend outside came into vogue. She argues that modern hormones can easily expand the assets of the masses, but that only the privileged can afford to sculpt themselves into an ideal form like hers. She points out that even though the masses may imitate with surgery, they'll never be able to copy the naturally good bone structure and vibrancy of the well-bred elite.`);
}
return r.join(" ");
}
@@ -1317,10 +1317,10 @@ App.Data.FCTV.channels = {
get text() {
const r = [];
if (V.arcologies[0].FSTransformationFetishist === "unset") {
- r.push(`spreading Body Purist movement titled: "Don't Settle for Imitations". The opening credits are displayed over a series of comparison images showing beautiful breasts and asses next to obviously artificial imitations of the same. The screen splits and shows the two hosts in their own environments side by side. One is an extremely attractive doctor, her body is exquisitely curvy underneath her lab coat and her face is an impossible combination of beautiful and cute. The other host is an artist with graying hair; he's working in his studio to create a life-size sculpture of the first host. He starts off the documentary by asking why people are so eager to destroy the natural beauty of the human form. The doctor continues by asking why people are so impatient that they get implants instead of using a superior process of targeted hormonal growth.</p>`);
+ r.push(`spreading Body Purist movement titled: "Don't Settle for Imitations". The opening credits are displayed over a series of comparison images showing beautiful breasts and asses next to obviously artificial imitations of the same. The screen splits and shows the two hosts in their own environments side by side. One is an extremely attractive doctor, her body is exquisitely curvy underneath her lab coat and her face is an impossible combination of beautiful and cute. The other host is an artist with graying hair; he's working in his studio to create a life-size sculpture of the first host. He starts off the documentary by asking why people are so eager to destroy the natural beauty of the human form. The doctor continues by asking why people are so impatient that they get implants instead of using a superior process of targeted hormonal growth.`);
r.push(`<p>The documentary keeps up the two-viewpoint style and approaches the issue from two directions. The first is the stark aesthetic differences between natural and artificial bodies. It demonstrates why implants always fall short of the beauty they seek to imitate, and how those with implants are doomed to a vicious cycle of surgery to try and recapture the beauty they lost in the initial surgery. The other angle, presented by the doctor, is a lot more practical. It points out the numerous shortcomings of implants when compared to natural growth, such as the frequent need for maintenance surgeries, the significant extra health risks, the reduced pleasure and sensitivity felt by implant patients, and the extreme difficulty of a patient to get what they want. Taken together the argument is pretty simple: why get implants when other medical options are cheaper, safer, more effective, healthier, and more attractive?</p>`);
} else if (V.arcologies[0].FSBodyPurist === "unset") {
- r.push(`rise of the Transformation Fetish titled: "The Mass Insanity of Adding Mass". The opening credits are styled to look like a psychological case study from a mental institution. When the credits finish, the video cuts to a scene of a man sitting behind a desk, the whole shot is high contrast due to the harsh lighting from a lone desk lamp. The middle-aged man screams 'hard-boiled' and looks like he walked straight out of a noir film to host this documentary. His opening monologue makes it pretty clear that this documentary has a lot of parallels with a crime documentary. Worse, is that the evidence and expert witnesses available to the producers were apparently overwhelming, because the program seems rushed trying to fit as much as it can into a narrow time slot.</p>`);
+ r.push(`rise of the Transformation Fetish titled: "The Mass Insanity of Adding Mass". The opening credits are styled to look like a psychological case study from a mental institution. When the credits finish, the video cuts to a scene of a man sitting behind a desk, the whole shot is high contrast due to the harsh lighting from a lone desk lamp. The middle-aged man screams 'hard-boiled' and looks like he walked straight out of a noir film to host this documentary. His opening monologue makes it pretty clear that this documentary has a lot of parallels with a crime documentary. Worse, is that the evidence and expert witnesses available to the producers were apparently overwhelming, because the program seems rushed trying to fit as much as it can into a narrow time slot.`);
r.push(`<p>Evidence and whatever else be damned, this isn't the kind of documentary that should be on the FCTV stream in your arcology. You tell ${V.assistant.name} to remind you to send a complaint in the morning.</p>`);
}
return r.join(" ");
@@ -1337,7 +1337,7 @@ App.Data.FCTV.channels = {
},
get text() {
const r = [];
- r.push(`surging Repopulation movement: "Continuing the Dream". After the opening credits, the documentary introduces a young and extremely pregnant woman as the commentator. The program makes an impassioned argument about the need for a new generation of citizens and slaves that were born into the dream of the Free Cities. The woman is wearing semi-conservative business attire, and has on elegant makeup. She looks somewhat plain when compared to the hyper-sexualized style of other FCTV shows, though she does make it plain over the course of the program that she loves sex more than ever. She tends to use herself as an example to show that pregnancy no longer means limitations or sacrifice, instead emphasizing that she's on her fifth pregnancy and would rather be with child than without.</p>`);
+ r.push(`surging Repopulation movement: "Continuing the Dream". After the opening credits, the documentary introduces a young and extremely pregnant woman as the commentator. The program makes an impassioned argument about the need for a new generation of citizens and slaves that were born into the dream of the Free Cities. The woman is wearing semi-conservative business attire, and has on elegant makeup. She looks somewhat plain when compared to the hyper-sexualized style of other FCTV shows, though she does make it plain over the course of the program that she loves sex more than ever. She tends to use herself as an example to show that pregnancy no longer means limitations or sacrifice, instead emphasizing that she's on her fifth pregnancy and would rather be with child than without.`);
r.push(`<p>The woman makes two main points during the course of the documentary. The first is that the combined population of the Free Cities needs to grow explosively for 'Free City Society' to become stable. She points out several economic reasons, including the drive to invest in research and infrastructure. She has interviews with experts explaining the need for independence; that the Free Cities are still dependent on the old world industrially and financially, and that the population must expand dramatically to avoid going down with the metaphorical ship. The more Free Cities there are, the more they become free and independent of the old world.</p>`);
r.push(`<p>The second point concerns the source of the new citizens and slaves that the Free Cities need. Her arguments concerning citizens focus on the unique culture of the Free Cities, and the direction that the future society will take. She points out that immigrants from the old world are rooted in its decaying culture. She asks her viewers how long it took them to adapt to their new lives, and how often they find themselves doubting their new home subconsciously. She admits that even she sometimes finds something wrong or repulsive, until she realizes that it's the ghost of her past life clinging to her. A noted psychologist talks about the strong hold people's earlier lives has on them, and how developing the promise of the Free Cities will need a generation untainted by the old world. The documentary's argument for slaves largely comes down to the fact that second-generation slaves are happier, better adjusted, and simply better slaves.`);
if (policies.countEugenicsSMRs() > 0) {
@@ -1373,7 +1373,7 @@ App.Data.FCTV.channels = {
r.push(`The fluid enthusiast Mike and Mindy pair are wearing their usual style in new colors, the clothes appearing to be as soddenly wet as any other episode.`);
}
- r.push(`</p><p>Mindy kicks off the show, speaking to the audience. "Welcome to another episode of Cum and Cream!"</p>`);
+ r.push(`<p>Mindy kicks off the show, speaking to the audience. "Welcome to another episode of Cum and Cream!"</p>`);
return r.join(" ");
},
episode: [
@@ -1408,7 +1408,7 @@ App.Data.FCTV.channels = {
},
get text() {
const r = [];
- r.push(`Mike unexpectedly moves over and starts rubbing Mindy's stomach, the extra attention highlighting how big her stomach is. "Mindy, don't tell me you went and got yourself knocked up... Your belly has gotten downright huge!"</p>`);
+ r.push(`Mike unexpectedly moves over and starts rubbing Mindy's stomach, the extra attention highlighting how big her stomach is. "Mindy, don't tell me you went and got yourself knocked up... Your belly has gotten downright huge!"`);
r.push(`<p>Mindy laughs and chides Mike. "Oh Mike! You know I'm waiting for the perfect`);
if (V.seeDicks === 0) {
r.push(`<i>smile</i>`);
@@ -1457,7 +1457,7 @@ App.Data.FCTV.channels = {
} else {
r.push(`erection`);
}
- r.push(`as he continues the introduction. "Tonight we have a truly special treat for you, and it's all thanks to Arcology Imperiales!"</p>`);
+ r.push(`as he continues the introduction. "Tonight we have a truly special treat for you, and it's all thanks to Arcology Imperiales!"`);
r.push(`<p>Mindy continues, and makes no attempt to hide the fact that she has one hand stuffed inside her bikini bottom. "Thanks to the wonderful Dr. Picarde, owner of Arcology Imperiales, we have access to three amazing sex slaves for tonight's challenge!"</p>`);
r.push(`<p>Mike nods enthusiastically. "Mindy, tell everyone what makes them so special!"</p>`);
r.push(`<p>Mindy gushes her explanation. "Well they're inflation fetishists, of course, but they're also masochists! But that's not all! They've been voluntarily modified with cutting-edge surgery to allow them to burst when they've been overfilled, without any danger at all!"</p>`);
@@ -1486,9 +1486,7 @@ App.Data.FCTV.channels = {
]
},
11: {// sag-B-gone
- tags: {},
loop: true,
- intro: ``,
episode: [
{
get slaves() {
@@ -1506,7 +1504,7 @@ App.Data.FCTV.channels = {
if (FCTV.channelCount(11, 1, 'gt')) {
r.push(`, once again,`);
}
- r.push(`which is currently showing an infomercial attempting to sell a product named "sag-B-gone" that claims to be able to prevent breasts from naturally sagging under their own weight.</p><p>`);
+ r.push(`which is currently showing an infomercial attempting to sell a product named "sag-B-gone" that claims to be able to prevent breasts from naturally sagging under their own weight.<p>`);
if (V.purchasedSagBGone === 1) {
r.push(`You've already made the mistake of ordering the sham of a product. While it gave you a great excuse to fondle breasts, it's not like you needed one in the first place.</p>`);
if (S.Concubine && canTalk(S.Concubine)) {
@@ -1599,7 +1597,7 @@ App.Data.FCTV.channels = {
r.push(`You cup your huge breasts. They're pretty large and you swear they've been drooping a little lately; maybe you could benefit from this cream...`);
}
}
- r.push(`<div id="called">`);
+ r.push(`</p><div id="called">`);
r.push(App.UI.link(
"Place an order",
() => {
@@ -1630,7 +1628,7 @@ App.Data.FCTV.channels = {
{
get text() {
const r = [];
- r.push(`For a moment you consider changing the channel, but you decide to give it a shot.</p>`);
+ r.push(`For a moment you consider changing the channel, but you decide to give it a shot.`);
r.push(`<p>The woman posed in the mirror. She was tall for a woman, fair skinned, and wore a keyhole sweater dress. Her scarlet hair was done in a braid down her back and her plump lips were covered in ruby red lipstick. She was slender, but not intolerably so; at the very least, she filled out her dress enough to avoid being arrested for indecency. All in all, the woman's reflection made for a pleasant picture. The only thing detracting from this scene was her glare.</p>`);
r.push(`<p>"Hey Scott, do you have anything a bit more conservative?" The woman asked. "We've been over this." Scott said. "Not showing off your breasts is seen as very rude here." Scott frowned, "Well, that's not entirely correct, but it is seen as distinctly unfriendly; the only girls who don't show some cleavage are frigid cunts and old-worlders fresh off the boat."</p>`);
r.push(`<p>The woman kept glaring in the mirror. "I understand that, but what is the point of this?" she said, pulling at the slits in the fabric at her sides. "Oh, those are for girls who want get milked on-the-go and not disrupt the view of their cleavage. Also, for this." The man said as he reached through the slits to give her breasts a polite squeeze.</p>`);
@@ -1832,7 +1830,7 @@ App.Data.FCTV.channels = {
} else {
r.push(`which is currently in`);
}
- r.push(`the middle of a "real life" documentary.</p>`);
+ r.push(`the middle of a "real life" documentary.`);
r.push(`<p>The mountain roads started getting dangerous when the rains started getting bad. All that water washed away the earth and loosened up rocks that had been there for ages. Rock slides started getting more and more common, so the roads started getting less and less traffic. People with enough money took planes to get across the mountains, and those without money just stayed put. That is until things started getting worse over there. There was an exodus of desperate people leaving some time ago after their government withdrew from the area, and that many vehicles was enough to bring down the rocks and kill hundreds. All that was left back home was those stupid enough to think things would get better, and those smart enough to realize that crossing was death. Now the roads are in pretty bad shape, but occasionally some groups come through. Either stupid or desperate, and either case works for us.</p>`);
r.push(`<p>Two vans trundle down the road in the early morning fog, seen only by a pair of vague red shapes on a screen. Probably a family trying their escape. The vehicles slow to a halt and a couple of human shapes step out. A good portion of the road in front of them is gone. Maybe if they were on motorbikes they would be able to use what's left, but, as it stands, they're probably going to have to all get out and walk the rest of the way.</p>`);
r.push(`<p>The click of static from a radio breaks the silence. "Recon, report?"</p>`);
@@ -1872,7 +1870,7 @@ App.Data.FCTV.channels = {
} else {
r.push(`skipping straight to`);
}
- r.push(`the middle of yet another "real life" documentary.</p>`);
+ r.push(`the middle of yet another "real life" documentary.`);
r.push(`<p>The dull blueish glow of a simple terminal illuminates a haggard, pock-marked face as it gazes at account data just barely in the black. A simple reminder breaks the tense silence between the figure and the machine. "Deployment at 1800. Two hour reminder."</p>`);
r.push(`<p>With a heavy sigh the figure shuts the terminal and heads out into the sun-lit concourse, grabbing a simple handbag as they go. They join the flowing chaos of people heading in the direction of the market sectors. After a time they break from the river of bodies toward a multi-level piece of solid, pristine white built into the massive, slowly curving wall of businesses that makes up the center of the arcology's markets. The simple black text marks the building as "Vinewood Hospital." A crystal clear door slides open silently at the figure's approach, the thin, metal frame moving being the only indication that anything had changed. The interior of the structure is, like the exterior, a chilly, sterile white. A few staff in simple, pastel scrubs move around the open reception area, all making efforts to stay clear of the figure's path toward the reception counter.</p>`);
r.push(`<p>At their approach, the reception slave gives a smile that only looks slightly forced, "How can I help you today?"</p>`);
@@ -1936,7 +1934,7 @@ App.Data.FCTV.channels = {
{
get text() {
const r = [];
- r.push(`which is currently showing the newest episode of a family-oriented soap opera. The intro shows a beautiful family of three, featuring a husband, wife, and young daughter. When they show the events of the previous episode, it quickly becomes clear that this episode is the finale of the current season of the show.</p>`);
+ r.push(`which is currently showing the newest episode of a family-oriented soap opera. The intro shows a beautiful family of three, featuring a husband, wife, and young daughter. When they show the events of the previous episode, it quickly becomes clear that this episode is the finale of the current season of the show.`);
r.push(`<p>The episode opens with the husband waking up alone in bed and finding a note on his nightstand that his wife had left for him at the end of the previous episode. Through narration in his head, the note is read aloud to the audience.</p>`);
r.push(`<p>"Jason, I'm sorry you had to find out like this, but I had no other choice. I didn't want to fight about this, and I didn't want you to think you could change my mind. I'm leaving, and this time I'm not coming back. I tried for so many years to make this work, but I never really wanted a family to begin with. I'm no mother, and I never could be. By the time you read this I'll already be in another arcology, much too far away for you to find me. Please take care of Jessica in all the ways I couldn't."</p>`);
r.push(`<p>After finishing the note, Jason weeps into his hands before the camera transitions to a shot showing him in a rather nice kitchen explaining to his daughter where her mother went. His deep sadness is all displayed right there on his face, much to the actor's credit. His daughter leaves for school, but not before looking back through the doorway at her depressed father with pity. The camera pans to one of the large windows illuminating the kitchen, and zooms in on some street whores before dissolving into a shot of Jason walking that same street.</p>`);
@@ -2043,7 +2041,7 @@ App.Data.FCTV.channels = {
{
get text() {
const r = [];
- r.push(`currently displaying a Free Cities documentary on the benefits of aphrodisiacs, which is almost halfway over. A montage of out-of-context shots of injectors, suppositories, and bottles of liquid interspersed with very horny, sweaty slaves needily grinding on each other plays before cutting back to the presenter, a gorgeous young woman with long, brown hair in a tight one-piece red dress and matching heels. Her dress, practically a second skin, proudly reveals that she definitely isn't wearing a bra or panties of any kind but still leaves plenty up to the imagination increasing her enticing presence. She's with a handsome man in a lab coat, and they're sitting on a couch in an office with a microphone on a coffee table between them.</p>`);
+ r.push(`currently displaying a Free Cities documentary on the benefits of aphrodisiacs, which is almost halfway over. A montage of out-of-context shots of injectors, suppositories, and bottles of liquid interspersed with very horny, sweaty slaves needily grinding on each other plays before cutting back to the presenter, a gorgeous young woman with long, brown hair in a tight one-piece red dress and matching heels. Her dress, practically a second skin, proudly reveals that she definitely isn't wearing a bra or panties of any kind but still leaves plenty up to the imagination increasing her enticing presence. She's with a handsome man in a lab coat, and they're sitting on a couch in an office with a microphone on a coffee table between them.`);
r.push(`<p>"I met with one of the leading scientists working on cleaner, higher-purity aphrodisiacs." the woman presenting narrates.</p>`);
r.push(`<p>The scientist's volume fades in, and you can finally hear what he has to say. "The problem with most of the cheap stuff is it can make you sick and it can be really hard to kick an addiction to it. With products similar to what we aim to create those risks are severely mitigated, showing that the potential for healthy, prolonged use of aphrodisiacs exists, and that cessation of use can be significantly easier."</p>`);
r.push(`<p>The woman cuts in with a question. "But won't an easier time quitting mean a weaker product?"`);
@@ -2086,7 +2084,7 @@ App.Data.FCTV.channels = {
{
get text() {
const r = [];
- r.push(`the pirate themed channel. Apparently this is a live feed produced by a band of pirates and you tuned in right as they board a small pleasure craft.</p>`);
+ r.push(`the pirate themed channel. Apparently this is a live feed produced by a band of pirates and you tuned in right as they board a small pleasure craft.`);
r.push(`<p>Three armed pirates are swiftly sweeping the boat, gathering the passengers, a man, his wife and his two children, on deck and tying them up. The camera is attached to the pirate captain as he sweeps below deck finding their supplies.</p>`);
r.push(`<p>"Manta, this is Orca" the captain radios. "Looks like they were in for a long trip, there's boxes of supplies down here that would last them weeks."</p>`);
r.push(`<p>"Aye, Captain Orca, Fleeing ol' world collapse seems like." The reply comes through on the radio. "Don't rightly know where they were headin' to, maybe to Tortuga to be citizens, maybe to another country. Sure is a nice boat though."</p>`);